More important, Nierenberg revels in the rapturous performances of veteran singers, making it clear why this chapter in American musical history matters. has been called “a real-life Spinal Tap.” But while the movie can be funny — and Anvil front man Steve “Lips” Kudlow can come across as comically naive and hopeful — director Sacha Gervasi aims for something a little more thoughtful here. music documentaries 'Shawn Mendes: In Wonder' Is A Portrait Of The Pop Star As A Young Man Stream It Or Skip It: 'Folklore: The Long Pond Studio Sessions' on Disney+, a Surprise … 28. Montage of Heck might just give them a better sense of Cobain’s progression from pissy young punk to superstar than any of the countless other homages to the man. Over 1,000 original … Julien Temple atoned for his messy, myth-shredding 1980 Sex Pistols film The Great Rock and Roll Swindle by revisiting the band’s story with a greater sense of perspective and awe 20 years later. Some Kind of Monster (2004)In recent years, Metallica has expressed some regret over letting filmmakers Joe Berlinger and Bruce Sinofsky document the long, torturous process that led to their 2003 album St. Anger. It’s no wonder that it became the rare music doc to win an Oscar. 49. Nor did directors Dylan Southern and William Lovelace try to make a comprehensive bio-doc about witty, wise dance-music hero James Murphy and his band. But gradually it becomes clearer that Page, Edge, and White are all perpetually chasing something ineffable. Share your tips in the comments below. But because Zwigoff felt like his subject deserved to be seen and heard, he abandoned his original plan to write a magazine article, and burned through his life savings to make a film. 51 film and TV scores. gets all of that on film, explaining how Seattle’s cultural guardians built up international excitement for what was going on in their city, and then quickly regretted all the attention that they themselves had demanded. Without discounting the wondrous songs that Johnston has created — catchy, childlike home recordings, with a crude charm — The Devil and Daniel Johnston considers the real toll that being “a mad genius” takes on those in the immediate vicinity. Just like music can guide the emotion queues of the audience in a fictional film, so too can it guide the emotions of a non-fiction documentary audience. Because of this a documentary filmmaker should use music as a tool to either amplify the emotions coming from the visuals, or use them to subdue the emotions. While in the video below you will see it draw on examples from narrative film, understand that the same concepts apply for documentary as well. Elvis: That’s the Way It Is (1970)After languishing in bad movies throughout most of the 1960s — during an era when rock music as a whole was becoming the sound of the times — Elvis Presley had a commercial and critical comeback at the end of the decade, and then immediately cashed in by becoming one of the highest-paid performers in Las Vegas. It’s an at-times-tense and riveting documentary, peppered with scenes of stars like Leonard Cohen using their sets to steer the energy of the crowd in a more positive direction. America Ferrera departed the series earlier this year. And while John Scheinfeld’s documentary Who Is Harry Nilsson buys too much into that phony “isn’t a pity?” narrative (especially in the way it downplays Nilsson’s more experimental, frequently brilliant mid-1970s albums), for the most part the director has enough convincing eyewitness interviews and archival footage to argue that Nilsson was more than just a guy with a couple of fluke hits and a reputation for dragging his famous friends into the boozy muck. No documentary filmmaker has used music like that of the legendary filmmaker Ron Fricke. 40 Greatest Rock Documentaries Burning guitars, big suits, meeting the Beatles — the concert films and rockumentaries that stand head and … Lately there have been a flood of movies about cult bands, forgotten local acts, and background players — and even a few docs, like Amy and Kurt Cobain: Montage of Heck, that have found new ways to approach some of the most popular musicians of the past half-century. Tour documentary of the Other French Dance Music Duo, Justice. Beyoncé’s sublime self-awareness and her understanding of the power of identity reached its peak (so far) with her 2018 Coachella performance, which she spent over a month rehearsing, working with a marching band and dozens of dancers. Facebook Twitter Pinterest Email WhatsApp. 46. (2004)As fans of any music scene know, it’s not always easy to predict — or even to understand — why some acts cross over to the mainstream while others languish. The Target Shoots First (2000)Though it’s not about any particular band, Chris Wilcha’s video diary of his time working for Columbia House in the 1990s is an essential document of how big media companies grapple with selling to the mercurial younger generation. Music, Film, TV and Political News Coverage. Just remember your music doesn’t always need to be epic, but rather is needs to supplement and aid the mood and tone of your film film. Pop and rock stars from Madonna to Bono have followed the lead of Dylan in Don’t Look Back — not with their songs, but with their public personas. Thank goodness Russell eventually decided to allow it to be seen — even if he did wait until after Blank’s death. Message to Love: The Isle of Wight Festival 1970 (1997)Because Murray Lerner had to sit on his film of the 1970 Isle of Wight Festival for 27 years (due to financial and legal issues), the movie ended up becoming like the lost bridge between the sunshine of Woodstock and the storms of Gimme Shelter. Long Strange Trip (2017)Accomplished documentarian Amir Bar-Lev gives the Grateful Dead the four-hour, career-spanning treatment, but makes the larger story easier to digest by breaking it in smaller pieces, each of which has its own winding narrative flow. Because of this it is crucial for a filmmaker to utilize music in order to help carry the emotional tone that they may not get from the visuals alone. Studies by Stanford and Oxford University amongst many others have linked human emotion to music. Don’t Look Back (1967)Bob Dylan started out as one of the most stylistically distinctive and culturally plugged-in of the Greenwich Village folkies, but by the time D.A. Gabi DeMartino has been suspended from the content-subscription platform. It's the first film I know of about the current re-popularization of folk music … Music in Documentary Music plays an important part in the soundscape of documentary films. But this still feels like a personal film for the iconic director, who lovingly shoots some of his musical heroes and positions the San Francisco concert hall (the Winterland Ballroom) where this so-called farewell concert took place as some kind of enchanted wonderland, safeguarding the best of an aging generation. Heartworn Highways catches the offhand magic that they conjured, alone and together. Sam Jones’s visually striking black-and-white film features both the seeds and the flowering of all these various crises, while maintaining a nonjudgmental distance from the band and its process. 20 Feet From Stardom is feisty and insightful, and filled with classic songs. The Filth and the Fury still acknowledges the central contradiction of the Pistols — bomb-throwing nihilists who knew they’d invalidate everything they stood for if they lasted long enough to leave a real legacy — but Temple’s second stab at telling the group’s story says more about the dystopian Britain that nurtured them, and is more generally admiring of both their flipping off of the Establishment and their actual music. Just think back to successful films of the past, and then take a look at their soundtracks. Over 2,900 songs and over 300 albums recorded. Scratch (2001)Anyone who still somehow doubts that a turntable can be a musical instrument should watch Doug Pray’s brilliant deep dive into the culture of spinning and sampling. All rights reserved. Tom Dowd & the Language of Music (2003). The way in which the film is edited can have a great effect with how the music is perceived. An examination of house music and its origins brought to you by the British television broadcaster Channel 4, the very same people who were behind the 2001 dance music documentary series Pump Up The Volume. Stock audio with worldwide licenses for use with all kinds of visual material. Other Music (Amazon Prime)"I like curators," says The National's Matt Berninger in the Other Music documentary. If you thought this show couldn’t bungle both COVID-19 and Black Lives Matter in a single episode, think again. The twist here is that along with Cobain’s old public appearances, Morgen has access to his personal journals, drawings, audio recordings (spoken-word and demos alike), and home movies, which he lets fill in the spaces where narration might ordinarily go. In the video below you will see the introduction to his 2011 documentary film Samsara, which relies only on visuals, location audio, and music. Because heavy metal isn’t as “cool” as punk rock, the second installment of Penelope Spheeris’s Decline trilogy sometimes gets the short shrift from those who prefer the spikier first one. 40. Knowing that everything she’d do in front of director Alek Keshishian’s cameras would be scrutinized by fans and critics alike, Madonna put on a show, obliterating the line between her private life and her public persona. Hype! Subtle is the keyword. Rush: Beyond the Lighted Stage (2010)During Rush’s heyday, the Canadian trio was fiercely beloved by their fans and largely dismissed by rock critics; and while adoring Rush long ago ceased to be a guilty pleasure, the band still has a bit of a chip on their collective shoulder in Sam Dunn and Scot Mcfadyen’s Beyond the Lighted Stage. 37. What’s most heartbreaking about Amy is that all its previously unseen footage shows a complex young woman that the public never really got to know, because it was easier both for the singer and the tabloids to sell a simpler story of reckless self-indulgence. Woodstock (1970) It’s sometimes hard to think of Woodstock as anything other than the enshrinement (for better or worse) of the entire 1960s counterculture: its political idealism, its communal spirit, and its electrifying music. 7. 42. 5. Back once again with this new project, we learn how the house music genre came to be. There’s an element of demystification here, as these three gentlemen lay bare their habits and styles, making their work sound almost mundane. I Am Trying to Break Your Heart (2002)It’s not often that a documentarian embeds with a band that’s going through as much turmoil as Wilco did circa 2001, when front man Jeff Tweedy fired one of his chief creative partners, Jay Bennett, at the same time that his major label, Reprise, him cut him loose for making so-called unmarketable music. But the film is also an introduction the art of recording, portrayed more spectacularly in a show-stopping scene of Dowd walking Moormann through each isolated track of Derek and the Dominos’ “Layla” — with his own dexterity on display as much as Eric Clapton and Duane Allman’s. Mariah Carey remains undefeated and unmatched in the Christmas song space. 12. In addition to telling the tale of punk’s greatest export, Westway to the World captures the sense of regret from all concerned — that they couldn’t step back far enough to see what an amazing thing they had going, and instead let petty personal squabbles and a general exhaustion destroy a fruitful artistic endeavor. Whether it is a film, a short film, a documentary project, or even an ad, music is always present to some degree. 16. Noah Cyrus Apologizes For Using Racially Offensive Language on Instagram, “I am mortified that I used a term without knowing the context and history, but I know now and I am horrified and truly sorry.”. Pick the right set of bound pages and you ’ ve got the most concise spheeris sees the between... Part II: the Travels of a Tribe Called Quest the Rap doc that had Tongues! 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